“What excites me about the harp is its untapped potential. It can fit into an unusually wide array of contexts, from early music through to contemporary and experimental; pop, jazz and folk, and works well in combination with other art forms where its evocative nature is a real asset. Above all, it is beautiful, and often an audience will not have heard live harp before so in every concert I am always bringing someone a captivating new experience.”

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